After the artwork is examined, clients can receive a detailed Condition Report and Conservation Treatment Proposal, including digital pictures documenting the current condition of the art. Recommended treatments are then implemented, such as reconstruction of support elements, distortion repair, tear mending, and lining or unlining canvases as necessary. These initial repairs are followed by compensating losses, cleaning, in-painting, and applying fresh varnish.
I am not a framer, but because I have seen more works of art on paper damaged by inappropriate framing than by age or accidents, I provide specialized recommendations for the technical framing components necessary to avoid future damage. Some of these conservation concerns include the proper way to mount, hinge, and glaze a work to prevent damages from UV light or poor mounting.
I have access to other talented conservators, with whom I contract to work together on large projects. I know art moving companies and art storage warehouses, as well as specialized rigging companies to safely de-install and re-install large pieces.